Furniture Design Trends
When the recession prototypal began to bite last year it was as if grouping intellection the world was about to stop. They were caught like rabbits in the headlights of the abyss. As it has turned out the world did not kibosh turning, the stars did not go out, and not everyone went out of business. Instead, since then there hit been impalpable shifts and changes, more emotive than physical, whose waves hit resonated and rippled through every areas of our lives, including that of design. Affecting consumers, manufacturers and designers.
Until this moment the phenomenal popularity of makeover shows and the focus on celebrity lifestyles managed to display an anxiety in grouping who intellection their existence would be validated if they bought the right \"stuff\". Magazines encouraged grouping to \"get the look for less\", and this every fed in to people's insecurity. They hoovered up anything that glittered, and the trend became that grouping were happy to pay £500 for a \"classic design\" copy which had no intrinsic value, rather than spend £1,000 on an example which strength actually be worth £1,000. Manufacturers were ready to take this appetite by running to China and the Far East where they could churn out the numbers and maximise their margins, without a intellection for the more emotional/cerebral part of the consumer experience. It was money for old rope, leaving the consumers with possessions that were often of no real continuance - without any originality, or state in either design or manufacturing.
But since the newborn dawn of the recession we hit started to enter an era of what one strength call \"considered consumption\". One where grouping are not running out to buy the latest this or that because they hit read about it or because someone else has got it. They are looking inwardly and discovering the confidence to buy what they poverty for themselves, and to live the life that they poverty to live rather than the life they should live. This is evidenced by the newborn trend for kitchen designs, and a realisation that grouping actually poverty to live in their kitchens. We are starting to see a move absent from the architect designed spaces look like power laboratories (or mortuaries?) to kitchens that are spaces to live in - somewhere that is the heart of the home - with warmth and comfort, a place to spend time, rather than money.
They are trying to find things for their home that are of real continuance and hit real integrity. They do not poverty to be smothered by the spreading wings of global companies - they poverty to get in touch with the story behind the products and the narrative of the brands they are investing in. It is as much an emotive investment as much as a financial one, and consumers are looking for something new, some inferior tangible continuance than pounds shillings and pence, their desires are for items of example and intrigue, pieces made with love, passion and care. Purchasing for the home has gone beyond being a purely commercial transaction.
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